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A vampiric trio facilitates the transition of a new host across a former limestone quarry and the sacred mountain grotto of Mary Magdalene, troubling the binaries of life, death, gender and parasitism. Monuments to female saints become poses of living queer memory, as skeletal remains are transformed with embellishments. A mosquito draws blood with its proboscis and hormones are drawn using a syringe, as the remnants of an extracted zone is now overgrown with lifeforms.